Showing posts with label tops. Show all posts
Showing posts with label tops. Show all posts

Sunday, January 19, 2014

overlock & overload


I had an epic jersey stash-busting sewing marathon this past week. I recently organized my sewing room (see proof here) and sorted my fabric by type/content as well as fabric-I-want-to-use and wtf-was-I-thinking-fabric. I actually don't have a large fabric stash right now (a subjective statement), but I thought it was about time I make some room for new stuff. I hate storing slinky fabric that doesn't fold crisply or stack well, so I grabbed all the drapey rayon/lycra blend jerseys that have been slipping off my narrow closet shelves for several months now. 


To help tackle all these knits, I downloaded the PDF of Grainline Studio's free Hemlock Tee pattern. It's a slouchy-fit, drop-shoulder top, which isn't necessarily the most flattering look for me, but hey, a girl's gotta lounge. I've been wearing jeans more often lately because all my tights are ripped so I can't wear dresses. Instead of buying more tights, I'm sewing more tees so I can wear jeans more often. Hopefully someone out there gets my logic.


So all week I've been busting out Hemlock tees like it's my JOB. omg I wish that were actually my job. Please, someone. This pattern is drafted in one size and only includes three pattern pieces (front, back, and sleeve -- you draft the neckband yourself). The instructions (provided in Grainline's post here) show you how to make the tee with a serger (overlocker). I almost always use my regular machine as well as my serger for construction on knits. I just feel like I have more control and dexterity with my machine, which helps when matching stripes, matching underarm seams, or attaching neckbands that need to be pretty precise.


I made some modifications on all of these. On my first practice try, the neckline was too high for my liking and the sleeves too loose. Each of my subsequent necklines were lowered about 3 inches (!!scandal!!). I also lengthened each hem about 2 to 3 inches. The hem of the tribal/cross print one is curved up at the sides, and the hem of the striped one is curved up at the front and longer at the back. I used my coverstitch machine to hem everything. Ole Janome got quite a workout this week.

I made slimmer elbow-length sleeves on the tribal print version, and slimmed down all the others so they could be scrunched up. And obviously I left off the sleeves on the zig zag print version to make a little kimono cap sleeve thing, extending the shoulder seams another inch. Oh go on, call me a ~designer~.


All three of the rayon jerseys (prints, stripes) are from Fabric.com bought within the last year. I originally intended the graphic print ones to be dresses, but they're certainly too lightweight and sheer for that. The tribal print one was advertised as blue and red, but it's definitely purple and pink. And totally printed off grain, as is typical of Fabric.com. Ah well. I made sure the pattern placement was alright so that I didn't have big crosses or pink diamonds directly on my b00bz. The gray striped fabric was going to be another Henley for Corey but he didn't like the fabric (what? Unbelievably picky, that guy). So now it's mine!


I was inspired by Makes The Things' sweater version of the Hemlock tee pattern, so I decided to make a heavier version with this turquoise sweater knit fabric that sweet Handmade Jane mailed to me all the way from the UK last year just because she knew I liked it. Seriously. She's a sewing angel among mere sewing mortals. See the raglan sleeve dress she made with this same fabric here. Thanks again, Jane! This one's definitely the warmest version, and goes to show that you can make this pattern with thicker knits, as long as they still have a bit of drape or airiness so the drop shoulder doesn't look too bubbly and weird.


The Hemlock has you choose your desired neckband width. I used a 2" wide quilt building ruler to cut all my neckbands out. All of them are folded in half wrong sides together then sewn/serged to the neckline with a 5/8" seam allowance and pressed up, except the short sleeve zig zag one, which was sewn at 3/8". Two of them I topstitched down and two I did not. I ALWAYS attach my knit neckbands flat instead of in-the-round, then connect the second shoulder seam after the fact. That way I can achieve my desired neckband snugness without doing any math or fiddly trial and error work.

The Hemlock pattern obviously sews up very quickly, so I recommend it if you want to whip up some basics, need to get out of a sewing rut, sew up some of your jersey stash, or, as in my case, all of the above. I've already worn mine to work, to the movies, to the gym, and/or to bed. Multi-purpose, gotta love it. Thanks for another great little pattern, Jen B. You're a superhero.


Who else is Hemlock crazed?

Thursday, October 31, 2013

fear fabric: a lacy affair

Since it's Halloween and all, let's talk about our deepest fears. I have a few weird fears: Furbies most of all -- those awful talking, blinking, "sleeping" toys with the beaks and moving ears. Talking dolls or toys in general, especially broken ones that start chanting at you in the middle of the night (yes, that's happened to me). Ferris wheels, which I guess goes in line with my general fear of heights. Mean clowns, sure. Mean clowns hiding in the shower. Ghosts. Mean clown ghosts hiding in the shower. Lace.


Wait. Lace? Okay, we've moved into a different category of fear. As in, the fear of challenging your skill set, venturing into the unknown, and potentially failing at a sewing project due to lack of experience. THAT is actually what this blog post is about. Sorry we have to move away from the clown ghosts.

In the spirit of the spooky holiday, Beth of 110 Creations challenged a few of us bloggers to tackle one type of fabric we've been "afraid" to sew with. Enter the Fear Fabric Challenge. Because of my scaredy cat nature, I'm too nervous to sew with a lot of types of fabric, like silk chiffon, leather, suede, sequins. Lace has always been on that list, too. How do you sew through holes? How do you finish the edges? How to you hem it? How do you wash and care for it? Will it end up looking like a costume for a zombie bride?


Guys! Guess what! It's not hard. The hardest part about sewing with lace is finding acceptable lace to sew with in the first place. It can get very bridal or very tacky trashy very fast. The local options were both the latter and the former, and I found it difficult to shop online looking at 2D photos of textured fabric. Not to mention that almost all laces are floral patterns, and I feel a little uncomfortable wearing something so incredibly feminine. I'm not the neighborhood tomboy but I'm no Grace Kelly either.

I decided to look specifically for crocheted lace in an off-white color, because it has a bit of an earthy feel to it -- instead of pure bridal delicacy. I actually found this crocheted lace on Fabric.com. It's a stretch lace (find it here), which I dug because that meant I wouldn't have to sew darts or do much fitting with this "scary" new-to-me fabric. I love the pattern of this lace -- almost like seashells.


I underlined the front and back with hatchi jersey knit in ivory, also from Fabric.com. I treated these layers as one when attaching the neckband and sleeves as usual. This made it easier to sew because the jersey helped fill in the holes of the lace.


The pattern is the Kitchsy Coo Lady Skater Dress, with the bodice lengthened to a tuckable top length. Obviously I left off the skirt. I considered making a full dress in this fabric but wanted to avoid the taboos of wearing all white after Labor Day, or wearing a white lace dress when I wasn't on the altar. I was also afraid if I made this fabric into a full outfit, it would be more likely to snag on things. I'm glad I made this choice because I can wear the top with neutral skirts to work, or wear it with fancier skirts for fancier shindigs, or wear it with shorter skirts for weekend fun times. I've already worn it three times since I made it this past Saturday, heh.


Sewing with stretch lace is very similar to sewing with any stretch fabric. I referenced this blog post by Sew Fearless about it just to make sure I was on the right track. Appropriate that her blog name is Sew Fearless for my Fear Fabric challenge, yea? Tips include using a stretch needle, zig zag stitch or serger, and Wonder Tape to help stabilize and fill in the fabric for hemming. Stabilize your shoulder seams, too, if you're proper (I am not). 


My fabric is polyester. !! I was in NYC for a hot minute a couple weeks ago and breezed by the lace section at Mood, where silk lace runs at ~$40/yard. Sorry Charlie, je suis pauvre. 

I feel like maybe I phoned it in on this challenge because I essentially just made a t-shirt. I don't think my lace-sewing skills will ever be on par with, say, Julia Bobbin's (see here, here, here, oh and here for evidence), but I don't think my sewing skills or my style in GENERAL will ever be on par with her's. And I'm okay with that! I love my little poly top that cost me like $13 and 2 hours, and I still feel accomplished for finally sewing with a new fabric. You go girl.


P.S. My skirt is not handmade. It's from Banana Republic - bought secondhand last year before the anti-shopping habit kicked in.

Be sure to check out how these other sassy gals tackled their fears. Participants in the Fear Fabric challenge include:



Who else is scared of sewing lace? Or, who else is scared of Furbies? C'mon, I need to know I'm not alone on that one.

Tuesday, May 21, 2013

project sewn: 80s challenge

Three challenges in! I'm thrilled to have made it to this point of Project Sewn, so thanks to those of you who have voted for any of my outfits. Today is the reveal for the next challenge, for which we had to sew something inspired by the fashion of the 1980s. I'm excited to see what my fellow contestants have come up with for this one, because there are so many routes you can take. 


I decided to go with a jean jacket, a colorful slim-fitting fly-front denim skirt, and a graphic top. I almost can't believe I finished this whole outfit by the deadline; come Thursday, I had only started the jacket. I was in a cold sweat, scurrying around JoAnn's after work on Thursday, hurling bolts of cobalt blue stretch denim and interfacing at the woman behind the cutting counter yelling "Chop, chop!" Just kidding. I don't use fabric cutting puns out loud.


All of the Project Sewn challenges so far have been difficult when it comes to settling on an idea, but this one was the hardest by far. I don't personally remember fashion from the 80s, since I mostly wore diapers and onesies back then, and there's a fine line between an 80s-inspired outfit and an 80s Halloween costume. I admit that it was extremely tempting to make a sequined Tina Turner dress since I actually had an excuse, but I decided to go for something that was a bit more practical. Man, there were some scary silhouettes in 80s fashion. I just couldn't go dramatic with it, I'm sorry.

For inspiration I watched some clips from teen movies such as Sixteen Candles (1984), Secret Admirer (1985) and St. Elmo's Fire (1985). I even watched some early Cosby Show but those women sure liked their oversized clothing. I eventually returned to an old idol of mine, Kelly Kapowski from the teen sitcom Saved by the Bell. It's a little bit of a stretch because Saved by the Bell first aired in 1989 and ran into the 1990s, so I singled out her earlier style that still had an 80s hangover, like her denim jackets, slim skirts and fluffy hair:

source

I've been wanting a jean jacket anyway, so I thought this was the perfect time to make one. I'm not a fan of the acid-washed look, so I used this dark denim from my stash since it's a bit more modern. I used a Burda PDF pattern, the cropped denim jacket from 02/2010 (here). Luckily I had extra yardage because I completely forgot to add seam allowances when I cut all the pieces out the first time. Genius. Burda magazine patterns are insane. How would any beginner know where to start with them? For this jacket, there were three different style patterns printed on the same sheets, but I didn't know that until I realized there were extra pieces that didn't actually go with this jacket. Plus there are no illustrations for the steps, and adding your own seam allowances means a higher risk for inaccuracies. Anyway, I like the jacket for the most part. The buttons are kinda big, though.


For the skirt I used the Grainline Studio Moss Mini Skirt pattern, omitting the pockets and lengthening view A by 4 inches (I wanted the length but not the hem band of view B). I topstitched all the seams, though it's not called for, just to get a more casual jean skirt look. I wanted it to sit a little higher than intended so I cut a size 4 in the waist and graded out to a size 10/12 at the hips. I used a denim/lycra blend for the skirt -- which creases and wrinkles like crazy, btw -- but if I used a non-stretch woven I'd probably go up a size further so I could comfortably sit. I really like this pattern and will probably make more. Getting tired of all my work-appropriate skirts and having nothing to wear out on weekends.



The top had no pattern... I just improvised a baggy wide-neck kimono-sleeve tee like Molly Ringwald wears on her birthday in Sixteen Candles. I know I should have layered it  over another tee but I can only make so many pieces in a few days' time, people! This jersey was a local find I already had in my stash because it's awwwwwesome. Lucky break that it had an 80s vibe with the colors and geometric shapes. Huxtable-approved, I hope.


I swiped Corey's sunglasses to use for these photos since they're clubmaster style, actually from the 80s. I think he found them on eBay.


Be sure to check out the other 80s looks on Project Sewn today and vote for your favorite by Thursday! If you vote for me, I'll be like:


Thanks everyone!!

Thursday, January 10, 2013

knitzzzz


After producing a Cameraman Jacket and a Cambie, a girl deserves to return to her knit stash and churn out some quick tops, yes? I tend to prefer fast production items in general, but I also like to keep it balanced around here. After making these three things in one week, I'm now cutting out a muslin (huh!) for a lined jacket that'll probably take awhile. It's a jacket for myself, don't worry. 


For everything I made, I used two patterns I have no idea why I own in the first place. I agonize over what to get from pattern catalogs during the Joann sales -- really I do -- and then I choose stuff like McCall's 6288 that's kinda a snooze fest (aside from the crazy shoe styling, what):


Like I need a pattern for an elastic waist mini skirt or another racerback tank top? I dunno, guys. It happens. But at least I got good use out of the raglan sleeve tee here. I made it twice, in fact:


Savor (or not) this rare moment of me wearing jeans on my blog. Ugh, nothing's worse than jeans. But I do have to fit into society and society often tells me to wear jeans. Fine -- I'll make an oversized sweater thing to hide the fact that store-bought jeans do not actually fit me at all. To do this, I just cut the side seams way huge, dropped the armpit seam, widened the sleeves and added overall length.


The pattern has you attach the neckband so that it's wrapped around the seam allowance to the outside and stitched in place there. I knew that would be a wonky disaster for me so I just did my usual Renfrew routine. It works easily most of the time, but I still found myself researching coverstitch machines on the Internet over the weekend. Hold me back. Can anyone chime in with their cheers or jeers regarding coverstitch machines? I can't really afford one (or its accessories, geez) but I'd like to know if it's worth saving for, especially as someone who's kinda obsessed with sewing with knits.


I like the design element of these stripes at the raglan sleeve seam. I eased the wide sleeves into fitted cuffs to mimic the sweatshirt look and so I could push them up to my elbows, as is habit.

The third item I made this week was a houndstooth cardigan. I love the color, and I'll probably always love houndstooth, but for some reason I don't like the cardigan itself very much. I still wore it to work with pants (again, rare):


Good morning, rusty fire escape. I'm trying to find different spots for "modeling" that will actually enable me to take photos on weekdays, since my usual spot is too dark in the pre-work hours. This feels like a failed experiment. You all deserve better effort from me.

The pattern I used for the cardigan is New Look 6735. Yep, I paid real live money for this pattern. 


Next in my queue: some enormously flared elastic waist pants as above, I hope.


I cut the front band on the bias for the helluvit, and again added cuffs so the sleeves would stay pushed up. Left off the buttons but maybe the cardigan could benefit from them. Since houndstooth seems too classy of a print for a slumpy cardigan, maybe I can just make the whole thing waist-length, shorten the sleeves and wear it with skirts only? We'll see.

So how do you usually follow up your more tedious and time-consuming projects? Grab some questionable patterns and bust out some half-assed knit tops? (Anyone?) Or tackle something else equally challenging?


Saturday, September 29, 2012

another renfrew mod


Think you've sewn (or seen) enough versions of the Sewaholic Renfrew already? Think again! Think the Renfrew pattern is too casual for your glam dress-stuffed wardrobe? Think AGAIN! That's what this blog is all about, after all: thought-provoking and intellectually stimulating content.

rofl.


Well, I hope you didn't think I made this dress from the Renfrew because I did not. Urban Outfitters made it so I could wear it to lure you in. Louisville didn't get an Urban O. until after I left, so it's nice living in a city where their stuff is already heavily circulated in consignment shops. I'm still not ready to commit to a fully self-stitched wardrobe, so I supplement with secondhand items. One day, though, I'll be head-to-toe in Andrea originals... maybe... ehhh.


So what is handmade here? Duh, the boring cardigan. I laughed when I finished it because it's pretty sloppily made and just reminds me of a $14.99 Merona brand cardigan you'd give your mom for Christmas or something. But I still like its practicality and length and have worn it a couple times already. Hopefully this kind of styling helps its cause.


This red ponte knit is the same I used for my stupid Cynthia Rowley dress from a couple posts ago. I bought like 5 yards of it for real cheap from Jomar, the crazy fabric outlet (is it an outlet? What is it?) in south Philly. Their inventory is heavy on the stretchy fabrics right now. What better way to spend a Saturday afternoon than digging through tabletop mountains of knit yardage of questionable quality? That was not sarcasm.

Making the cardigan version of the Renfrew was quite simple. I shortened it by 2" first because I like my cardigans to fit at the curve of my back (or be really long) so I don't look like a balloon when I wear them with skirts. The front is normally cut on the fold, so I just added a placket to the front pattern piece at the fold line. Cut two front pieces instead of one. This placket extension had enough width to be folded over and still be able to overlap the placket on the other side (1 1/4" total with the intention of making a 5/8" final placket).


On each end of the neck band and bottom band, I extended it by the width of the finished button placket (5/8"). Instead of connecting the bands end-to-end in a circle like on the original Renfrew, I stitched their edges so it'd form a neat square at the top and bottom of the placket. I can explain this in more detail if you'd like.


Too-big buttons, ha. I need to go button shopping so I'm better prepared for my on-a-whim projects:


I did not think about the necessary ease for a cardigan, so this fits like a t-shirt but open at the front. If I make another Renfrew cardigan, I'll size it up so I can wear it over other clothes more comfortably.


It's hard to stop at one when you're working with this pattern, so I made another in a sweater knit, also from Jomar:


I'm not as crazy about this one because the only thing I can wear it with right now is this granny skirt. Literal granny skirt. It was my grandma's -- I chopped off the hem at some point during my college years. I used to wear these warm brown tones all the time because they go well with my complexion, but I've ventured away to cooler colors. I'm kinda thinking of moving back that way this autumn. In fact, I'm currently working on something else now in this same brown.


So, friends, neighbors, far-away sewsters, how do you feel about a Renfrew cardigan or sweater? Dare to try? I know Tasia's revisiting the pattern over on her blog, so it's as good a time as any to bring back out that little green envelope! 

Enjoy the rest of your weekend, y'all hear.

Tuesday, June 26, 2012

racerback & forth

Not-so-new jersey. It was high time to use these two lengths of rayon jersey I've had for awhile. Granted, "awhile" for me means like three months. "Why stash 'em when you can make ho-hum clothes out of 'em?" is my motto, after all.


I don't think the hem is crooked IRL, but I won't guarantee it either way.


You may recognize this feather print fabric from Dixie's and Suzanne's past creations. I feel like I link to those gals a lot. Blog crushes, you know how it goes.


Heyo, 4th grade throwback. I used to wear my shirts tucked in like this (only in the front), because my best friend in elementary school, who was way cooler than I was, did it. Say aye if you wanna be like me now. 

...fair enough.


Swayback or big bum or are those interchangeable? Who cares. I'm truly not crazy about my pattern choice here (McCalls 6359) because I don't even like the racerback style on me. I should have used my feather print on something more elegant. Erg. I actually tried to sell this pattern in our Memorial Day yard sale, but no one bought it. So instead I made it for myself... twice... and I'm somewhat grumpy about it. It's one of those patterns that produces clothes that no one will suspect you made. Non-sewers are so bored by these clothes that when they hear they're handmade, they're fascinated.


The pattern lists both wovens and lightweight knits as recommended fabrics. Leave off the bust darts if you use a stretchy knit. Also, make a test garment or take into account the stretch of your fabric. When making my usual size on my black polka dot version, it was enormous. I took in each side at least 47 feet and it still looks a little loose under my armpits, but I decided to keep it a slouchy-ish style. For the feather dress version I was feeling annoyed so I just dramatically cut the smallest size in the envelope, a 6 (whaaat). It's obviously more snug but I'll dare to get away with it. Here it is hanging dead on a hanger, pretending to be a swimsuit cover-up the Old Navy clearance rack:


For the feather dress, I added an elastic casing at the waist and an underlining to make it opaque.

Wanna see some edges? Of course you do. You live on the edge for these edges.


The pattern calls for store-bought bias tape to be applied as a facing to the armhole and necklines. I tried that but polyester bias tape was too heavy and not stretchy enough for this thin rayon jersey, so it made everything gape and stick out. I decided to make narrow edge binding from self-fabric instead. To do so and not lose my sanity, I used Portia's method of cutting strips of jersey by first applying masking tape/painter's tape. It stabilizes the fabric so it doesn't slink around as you cut, and it's already a perfect inch wide so there's not much measuring involved. Just cut along the edges of the tape and remove it. I tried here for consistent pattern placement but I think I just wasted fabric:




I didn't want to create bias tape-like creases, but instead just fold them in half before attaching. Since rayon jersey's so unstable, I used my handy dandy DIY fabric starch to stiffen up the strips after I folded them in half. The starch actually works kind of like an adhesive, too, so I didn't even have to baste the raw edges together after folding, starching and pressing:


I measured and applied the binding to the neckline and armholes in a method that was a combination of this Threads video and a narrow version of the Sewaholic Renfrew pattern. Nice!

You know what else is nice?



So what's your honest opinion on the racerback style? Too sports-bra-like? 
And what's your honest opinion on the sockbun style? Too ballerina-bun-like?