me.made.may.week.two

Konnichiwa y'all. How appropriate that on the day I'm posting my second full week of me-mades, my friend Abby from Dear Abby Leigh is hosting me on her weekly blog series, "Dress for the Day You Want to Have." Not many people I know in real life have active blogs (after the social demise of the mighty LiveJournal, haa), but Abby had one going strong before I was a reader or participant in the blogging community at all. I owe her for being part of my inspiration to start a blog (without her knowing it) as well as introducing us to the best blood orange margaritas in Philly. Her "Dress for the Day" series features stories, cute outfits, guest posts and a linky party that celebrates the clothing that helps us feel confident and inspired each day. Today I'm over there talking about my aspiration to create a fully handmade wardrobe. Thanks for hosting me, Abby! Move back to Pennsylvania! Anyway, check it out.

Onto the me-mades...

Day Eight

Blue and black psychedelic lace dress. Wuuuttt! Not blogged yet because I made it last week while I was supposed to be working on my Project Sewn outfit. I procrastinate my sewing by... sewing? Anyway, I'm kind of in love with this dress. It's hard to tell but the fabric is a knit, and the black is a crazy zig zag lace that is pre-fused to the blue underlining. The pattern is New Look 6176 with modifications, like fisheye darts in the front. Did you know that New Look has 18 million shift dress patterns available that look exactly like the Colette Laurel pattern? Just sayin'.

Day Nine

ANOTHER buttonless Beignet, this time in a bizarre print, ALSO unblogged. Sowwy. This fabric is a stretch cotton sateen that's easily the most expensive fabric I've ever bought from JoAnn's. And I don't even know for sure if I like it, because it kiiiind of reminds me of animal print and I do not wear animal print. Anyway, did you know that you can squeeze a size 6 buttonless Beignet skirt shell out of less than one yard of 59" fabric? Now that's efficiency at its finest. I realize my pieces are slightly different because of the closure modification, but the button placket facing alone would not require an extra yard and a half, I promise.

Day Ten

Hey frump mcgrump. Retro orange knit top (first blogged a million years ago here) and F21 jeans. So I actually did wear jeans for Casual Friday. I was not comfortable at all today, despite the fact that I'm dressed down. The temperature was above 80 degrees, meaning this medium-weight vintage polyester shirt was a little toasty. And the shirt neckline is slightly too wide so I had to wear a strapless bra, which is not fun when you don't have fitted woven clothes to keep it in check. And the top is a bit tight in the hips and loose in the waist, so I kept having to tug it around. Wear and learn.

Day Eleven

Stripey jersey dress (blogged here). Ooh nice awkward iPhone photo, taken on our walk back from an Indian food gnosh fest. I look so short and red in this photo! Is Corey 8 feet tall? I was thrilled to remember that I had this dress tucked back in the depths of my closet. I wore it several times in the winter but never felt that comfortable because cotton jersey and thermal tights do not get along well. I think the dress looks better with bare legs, so I'm glad to officially bring it into my warm weather wardrobe rotation. It has a coffee stain on the skirt front now but do I look like i.g.a.d?

Day Twelve

Pintuck bodice sundress (blogged here). I just posted about this baby so I have no more words except that I love this dress.

Days Thirteen & Fourteen

Cocktail Cambie dress (blogged here) and gray linen Kelly skirt (blogged here). More black, more white, more red belts, more gray. I almost wore a black top with that gray Kelly today but it felt sad and stuffy. The purple top is secondhand.

Oof! Still enjoying my participation Me-Made-May, but I'm likely going to have to start repeating pieces soon. Halfway through -- how have you fared?

project sewn: sundress challenge

An enormous thank you to everyone who voted for my outfit for the Black & White theme on week one of Project Sewn. I actually won the first round! The first challenge was certainly nerve-wracking, as I had no idea what to expect from my fellow contestants and didn't know how the readers/voters would respond to our different styles. Well, I still don't have a clue, but that's the fun of it, yes? I'm just doing the best I can. I really appreciate your support!

So onward we sew. Here is my entry for round two. The challenge was to sew a sundress.

It sounds more straight forward compared to the theme of "black and white," since we only had to sew one specific kind of garment. But geez, the process of deciding what kind of sundress to sew was still a doozy. This is one of the 1,000 reasons I would never aspire to be on the real Project Runway show (besides the fact that, yaknow, I'm not a fashion designer): it would be impossible for me to decide on a design and fabric in the 30 or whatever minutes they're given. For this challenge I spent a minimum of three evenings frying out my eyeballs on Pinterest, Burdastyle, fashion blogs and online boutiques, trying to find inspiration but mostly getting over(or under)whelmed and frustrated.

Once I finally came up with the pintucked bodice design idea and figured out how I would do it, I then agonized over fabric choice. At one point I was just sitting on the floor of my sewing room, buried up to my waist in different dress-weight fabrics, whining with indecisiveness. It was actually my boyfriend Corey who immediately pulled out this vintage floral cotton and said I had to use it. I rarely wear florals so I didn't even consider it, but I'm glad he convinced me because the fabric really is quite beautiful and I think it's a successful look overall. It was part of the large vintage fabric haul I received from the generous woman who was cleaning out her mom's house (story here). That stash has served me well. 

To make it, I started with the bodice lining pieces of Simplicity 2250, a Cynthia Rowley dress pattern, because it had the princess seams and subtle sweetheart shape I was looking for. I first made my pintucks on a large rectangle of fabric, and then cut the middle bodice pattern piece from that. I really love this detail, though I know it gets a little lost and disjointed in the busy print. It's pretty effective in real life, though, so I stand by it. I may try it again on a solid chambray or something...ooh.

The skirt portion is made from --what else-- the Colette Beignet skirt pattern, altered in my usual way to eliminate the button-up front. It definitely took some tweaking to get the princess seams of the Simplicity bodice to align with the skirt seams, but I'm pretty happy with the fit overall. I was tempted to make a big floofy circle skirt at first, but the fabric and bodice shape was already pretty feminine so I decided to make a sleeker skirt to help balance it out. And now I'm protected from gusts of wind! Believe me... I love my floaty skirts, but it is no fun to have to keep those in check when you're trotting down the stairs as the subway comes rushing into the station. I feel like I owe the fine people of Philadelphia a public apology for my ongoing circle and wrap skirt indecencies. And the city of Philadelphia owes me an apology for having a particularly windy Market Street.

The dress is fully lined, which I kind of made up as I went. The skirt portion is rayon bemberg with French seams. I hemmed the skirt shell with red bias tape and a hand-sewn blind stitch. It's super invisible on this print!

I couldn't get the dress fully zipped on my mannequin, even with the smallest torso set, because her cup size is bigger than mine. RUDE, Singer, rude. 

So that's my sundress! Check out the rest of the entries in this week's round of Project Sewn and be sure to vote on your favorite. Thanks again, sweet peas.

me.made.may.week.one

Yep, your sewing blogroll is regurgitating the same title for everyone's posts this month. Mmm, mmm, good, MMM is here! It seems we all have different ideas of what constitutes the "first week," but I've interpreted it to mean 7 consecutive days. So welcome to my first weekly post in which I showcase the handmade outfits I scrounged together for Me-Made-May 2013. My pledge is to wear at least one handmade item per day during the month of May, so this is what you'll witness below. I wrote in the present tense for each day because I actually updated this blog post at the end of every day. That's commitment, man.

Day One

Striped jersey top (blogged here) with black buttonless Beignet skirt (unblogged - similar here). You'll probably see a lot of this black skirt because, hello. It's black and it's a Beignet, my fave-o pattern. Today I decided to be "brave" and mix prints. My mom bought me the scarf from Modcloth -- it's soft as silk (but not actually silk, o' course) and it's got poniiiiies on it.

Day Two

Floral wrap dress (blogged here). This is one of the very few floral-printed garments I own, handmade or otherwise. I'm more of a graphic print or plaid kinda girl, I think. Sometimes I love this dress and the colors and the fact that it's rayon, but sometimes I'm just not feelin' it (hence the dead-eyed look in my photo above). I haven't worn it since last summer, though, so I thought I would give 'er another go.

Day Three

Jersey feather racerback dress (blogged here). Ugh, full-length shot is blurry. I need a camera shutter release remote. I ain't reshooting at this point, though, that's for sure. It's ~Friday~ and this stressful work week is over and it's beautiful outside and some neighbor is blasting "Get Down Tonight" by KC & the Sunshine Band out their window (no joke) and I have adult beverages to consume on the asap. Anyway, this is the dress I wore today, paired with a gray cardigan from Forever 21 that is barely intact. My colleagues tease me for rarely wearing jeans on casual Friday, but what's more casual than a racerback jersey dress, aka belted jim jams?

Day Four

My Project Sewn contest outfit for the "black and white" theme (see here for the full blog post and vote here for me if you're so inclined!). I actually did spend most of my day in this ensemble, red lipstick included, even though I was trucking up and down the stairs doing laundry in between sewing sessions and photo ops. Yep, neighbors, I always do laundry in heels.

Day Five

Tribal dress (unblogged). Today was another clear sunny day so I wanted to pretend like it was warm enough for this dress alone, but it wasn't. I eventually put on tights and a jacket to go out for Cinco de Mayo dinner. I made this dress in like 3 hours a few weeks ago-- it's just a kimono tee thing with an elastic waist. The fabric is rayon --a rare find at JoAnn's-- from the "tribal fabric" section. Who do you think is the tribal fabric consultant for JoAnn's? What tribes are we talking about here? Do I sense some political incorrectness?

Days Six and Seven

Back to work in my usual suspects. Left - my (wrinkled) beige buttonless Beignet worn with secondhand blouse and gift scarf. Right - my polka dot wrap dress. So glad I made this wrap dress -- it's a no-brainer piece for work, which I certainly needed this morning with only five hours of sleep and a complete lack of interest in the whole primping process. Just throw on one thing and, magically, you're fully dressed. Not very interesting for MMM, though.

7 days and 7 outfits down. 24 to go-o-o. Let's see if I can learn to focus my camera by then. I don't feel wardrobe-challenged yet, but who knows how I'll be limping along by the end of this. If you're participating in Me-Made-May, how are you feeling at this point?

project sewn: black and white challenge

Allo allo. It has begun! To catch you up (if needed), I am one of six contestants in a new online sewing challenge called Project Sewn for women who sew clothes for themselves. During the competition, we sew outfits for a chosen theme each week, with one winner determined by votes and one blogger unfortunately knocked off each go-around.

I present to you my outfit for the first theme: Black & White

At first it was difficult to settle on my strategy for the first challenge. Should I try to wow everyone out of the gate and make a dramatic silk ballgown or something, or should I stick with my usual aesthetic and make something more wearable and practical? Well, since I can't make an epic ballgown in a week while working my normal full-time job (nor do I want to), I went the latter route and I think it was probably the wise choice. Plus, I think that's what this challenge is about --- inspiring women to sew for themselves and add pieces to fit into their existing wardrobe. So! Here are the three black and white pieces I made, topped off with a red belt of course.

My inspiration for these separates was actually Stanley's winning design for the Marie Claire editorial challenge on the most recent season of Project Runway (see here). He sewed an open leather jacket, drapey white culottes and a black and white graphic tank. I knew for this challenge I wanted a gathered skirt with draped pockets, a fitted tee or tank or some sort, and a white blazer to top it off. The pushed-up blazer sleeve is all the rage, I've observed during an intense Pinterest/Kendi research sesh. No tea-length culottes here, though. 

Think she's taller than I am?

For the blazer I modified New Look 6013 quite a bit. (FYI we are allowed to use patterns for Project Sewn.) The shell fabric is a stretch cotton sateen that was stained on the selvedge so I got it for $1.99/yd like a boss. As for changes to the pattern: I added a full lining, cropped it at the waistline and added a rounded peplum for some shaping, de-pleated the sleeve caps and added contrast black lining just to the rolled up sleeve part.

The skirt is pattern-less, made from ikat printed jersey. I've always loved ikat prints but I think this is the first time I've actually bought some. I actually first intended this fabric to be the tank top and the black pleated fabric to be the skirt, but the jersey is so extremely lightweight that my machines ate it alive when I tried to bind the neckline and armholes. I then realized it deserved more attention anyway, so I made it into a gathered skirt with a thick knit-interfaced waistband instead. It's lined with black rayon bemberg and hemmed with the aid of fusible hem tape for stabilization. I gathered the fabric by zig-zagging over a long strand of dental floss. I highly recommend this method, as it's much smoother and faster than stitching three full lines and yanking on the thread. 

The cap-sleeved top is made of some sheer accordian-pleated stretch fabric. To make it, I traced the Sewaholic Renfrew pattern front for both the front and the back, deepened and widened the neckline, left off the sleeves and sized it down severely to accommodate the stretch of the fabric.

So that's my entry! If you feel inclined, please head over to Project Sewn and check out the other contestants' entries and vote, vote, vote for whatever inspires you the most for this particular theme. Voting ends Thursday evening at 8pm MT (that's Mountain Time. I could use some Mountain Vacay Time. Can you hike in a white blazer?). Thank you in advance if you decide to vote for me! And thanks for following along. Hope to see you with another look next week...

project sewn: here we go

Ahem. Please pardon my quaking voice and trembling hands, but I'm here to officially announce my participation in a new sewing contest on the blogosphere that's hopefully gonna blow your mind. I, Andrea of foursquarewalls, wee little awkward blogger in a tiny corner of Internetland, am one of the six contestants in the new Project Sewn series hosted by the two talented and fearless multi-tasking women behind Simple Simon & Co. and Project Run & Play. 

If you're active in the online sewing community, especially if you sew for your own kiddos or enjoy reading about other people who do, then you most certainly know about Project Run & Play -- the ongoing series of contests where bloggers sew an outfit for their children based on an assigned weekly theme. Readers vote on their favorite design, and one person is "sent home" at the end of the voting period until there are three designers standing. They've also added on a sewalong, so readers can sew with the themes and post their projects to a link party for a chance of their own to win a separate prize. 

Now there is an adult version! Well, not adult as in that kind of adult, but adult as in, grown women who sew for themselves. I am incredibly amazed and honored (and a little confused, tbh -- I thought they had accidentally e-mailed the wrong Andrea) that I was asked by Elizabeth and LiZ to join in Season 1 of Project Sewn. And my competition is seriously fierce. I am definitely the babiest of bloggers among these creative forces of Internet sewing wonder: 

Jess from Me Sew Crazy

Sophie from Cirque Du Bebe

Terra from Mama Says Sew

Caroline from Sew Caroline

Sabra from Sew a Straight Line

Am I right or amirite? I'm prepared to sew like a mad woman and bring my A-game, though. My sewasaurus rex is aroar. 

The contest and voting officially begins on May 7th. If you're interested in seeing the themes and following (or sewing!) along, head over to the Project Sewn site. And be sure to enter the grand opening giveaway for practically an ENTIRE SEWING STUDIO -- including a Singer sewing machine, adjustable dress form, like a million spools of thread, rotary mat & cutter and some fat quarters to top off this big fat prize. What's stopping you now, geez? 

How excited are you now about Project Sewn? As excited as I am nervy? Wish me luck...

janome coverpro 1000 cp

So here's the official introduction. Blogosphere, meet Durant, my coverstitch machine. Unless Erin can back me up, I'm probably the only seamster in the world who names his/her machines after NBA players, as a way to combine my two nonparallel hobbies of sewing clothes and watching basketball. My serger is named Ibaka, after the (ahem, quite good-looking) power-forward Serge Ibaka from the Oklahoma City Thunder (I'd recommend this photo if you're interested). I thought the next best step was to name my new machine after another OKC player, Kevin Durant. Now my machines are a slam dunk duo. Get it?

If you don't know what a coverstitch machine does, lemme briefly fill you in. It hems knit fabric to maintain its stretch. If you look at the hems of your store-bought tanks and tees, you'll notice the double line of stitching with a looped or chained stitch underneath. That's the coverstitch at work. The machine can also bind necklines and attach elastic. And uh, yep, that's about it. Because of their limited functionality, most home sewers can easily do without one, and if they choose to do so, they can "fake" the look with an overlocker and a twin needle. 

There are only a few stand-alone coverstitch machines on the market for the average Joe sewer, and are typically only sold through dealers. The rest are industrial grade (read: cost a million bux and weigh a million lbs) or are part of a serger/coverstitch combo machine. I hear the combo machines are cumbersome to switch back and forth, removing the serger knife, etc., and I'm happy with my exising serger, so I decided to go the ideal route and get a coverstitch machine all of its own. Due to limited space, Durant lives on the floor, though, instead of on the table with his teammates.

JANOME COVERPRO: WHY AND HOW?

This was a total luxury purchase, I completely admit. I do work with knit fabric quite a bit, and despite knowing most of the proper techniques for hemming and finishing them, I would always stress when it came time to hem anything stretchy -- because of the high risk for wavy stretched-out hems and distorted necklines. I wasn't happy with the twin needle hemming method, because my fabric always tunneled between the stitches, it never zig zagged properly on the underside no matter what I tried, and they would easily snap on close-fitting garments that need a lot of stretching to get on and off. So as a birthday gift to myself, I bought a coverstitch machine to create more professional-looking garments. It hems garments quickly and evenly, and is much stretchier than a twin needle or zig zag finish. 

I bought a used CoverPro through the classifieds on Pattern Review. Pattern Review is a pretty amazing resource for machine reviews, I discovered. See here for reviews of the model I have. Despite how janky the website looks and how difficult it can be to navigate, PR seems to be where all the smart sewers go to dole out advice by the boatload... and there's at least 10 years of info on there. I pored through reviews of all the stand-alone coverstitch brands, and ultimately came down to a decision between the Janome CoverPro and the Brother 2340CV due to good reviews for their relatively low prices. The other brands available are Bernina and Babylock but if you know anything about sewing machines, you know those are higher end ($ cha ching $). Some reviewers grumbled about the Brother not have auto tension release, whatever that means, so I just decided I'd start my search for Janome CoverPro. And sure enough, that evening, an ad came up on the Pattern Review classifieds from a woman selling her barely-used CoverPro 1000CP with all the accessories included. The CP is actually no longer made -- they have a CPX now, but from what I read, the X has a new threading diagram and a seam tightening system (?) but that's about the only difference.

DETAILS: THE MACHINE AND ITS ACCESSORIES

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The Janome CoverPro 1000CP has capability for a triple needle coverstitch. I was attracted to this functionality because it meant you had freedom to adjust the needle spacing for double stitching -- using two needles spaced narrowly apart (one in the far left and one in the middle), or two needles spaced wide apart (one in the far left and one in the far right). Apparently some other coverstitch machines have only the option for double needles and you can't adjust their spacing. So far I've only used a single needle (which makes a simple chainstitch) and a narrow double needle. A single chainstitch can be useful for basting a garment together; it's much easier to undo since the coverstitch thread just unravels if it's not secured in a seam allowance or otherwise bound off.

The differential feed and stitch length can be adjusted based on the stretchiness and weight of your fabric. This is easy to figure out if you're used to adjusting the differential feed on your serger. I naively hoped that a coverstitch would automatically know how to sew perfectly on stretchy fabric, but of course (of course) it is still up to the human user to adjust tension and differential feed settings in order to prevent puckering and waviness. Of course. Still, though, it is MUCH easier to get an even stitch and an even hem with a coverstitch, rather than serging and turning or turning and zig zagging. And the final polished look is so much more gratifying than a zig zag stitch.

The CoverPro is incredibly easy to thread. The lower looper can be thread in three steps, probably taking a total of 15 seconds. Then all you have to do is thread your needles, which is intuitive for any sewer.

What's unique about the CoverPro is that it is designed to look like a sewing machine, with the free arm, the open space to the right of the needle, and all the knobs on the right side. As far as I know, it's the only coverstitch with that open workspace; the other brands are designed more like sergers. There's plenty of workspace and you can coverstitch something that is more in the middle of the garment, instead of just on the bottom. And with the free arm, you can more easily stitch a sleeve hem in the round.

Nurse, scalpel please.

The thing about coverstitch machines is that if you want to use them to their full potential, you have to buy the expensive attachments to go with them. A Janome base plate (the metal piece you see at the bottom of the photo above) is currently retailing on eBay for $125. And that's just the plate, not the binders or the feet or anything else! Additional accessories include two sizes of binders (which attach binding to necklines), a clear foot to help you see where to reconnect your stitches when you hem in the round (why isn't this standard?!), the center seam foot that helps the double needles perfectly straddle a seam, and the coverhem guide to help you keep your hem even. Luckily, the woman who sold me her CoverPro had the base plate and almost all the Janome brand name attachments (except something having to do with elastic), which she said cost her $300 total. Ouch. She was amazing and extremely organized, so she also sent me a three-ring binder (the office supply kind of binder) with instructions she had printed out for using all the attachments:

There were tutorials in there she had found from sewing blogs about different features and functions of the coverstitch. The benefit of buying a machine through the Pattern Review classifieds instead of eBay or Craigslist is that you have access to the seller's profile, their history of sewing and their participation in the online sewing community. It felt more trustworthy coming from someone who was an active seamstress and most likely took good care of her machines. She even took the coverstitch to her dealer for one last check-up before shipping it my way.

EASE, USEFULNESS AND ISSUES SO FAR

Since I bought it in January, I've used my CoverPro to hem four dresses and one skirt, attach elastic lace binding to make underwear, and bind the neckline on a knit dress. Overall I'm pretty pleased with the coverstitch results on all those garments. Check out my underoos:

I found it pretty easy to get up and running with the basics with some help from the manual and Debbie Cook's blog, though for the most part there is not much information online about how to use this specific machine aside from Janome-sponsored resources. This is due to the fact that not many people own coverstitch machines, much less the Janome brand of coverstitch, much less have blogs or YouTube channels where they want to blab about it. Pattern Review helps, but it's a non-visual platform.

I'll admit the attachments are intimidating at first. I finally got my act together and tried out the narrow binder for the first time yesterday. This gadget is crazy looking and I can't believe I've incorporated something so... industrial and, I dunno...metallic and snake-like in my sewing. It certainly eliminates some of the potential for human error when it comes to stitching perfectly along an edge while catching both layers of binding:

You have to bind the neckline in the flat, meaning you leave one shoulder seam unsewn and then serge it together after it's bound.

This is an example of where the machine has had issues: the tension sometimes gets wonky if you have to stitch over another seam. It struggles to climb over the bulk, and then the lower looper thread freaks out. This one was particularly challenging, because I was trying to bind the neckline on a princess-seamed dress, so there were four serged seams for the machine to fumble over in addition to the one shoulder seam. And the binding itself has four layers to stitch through. The binding looked fine from the outside, but a hot mess at all the seams:

Euw. So, I still have a lot to learn about binding and traversing over bulky seams. It hems like a champ, though. No wavy hems, yee haw, and I'm getting better at catching the raw edge exactly under the needles. Even with a fancy machine and crazy doo-dad attachments, you still need to measure and press accurately. I hate to say.

And since I'm sure you miss seeing my face already, here's me in my new red ponte knit dress, skirt and sleeves hemmed and neckline bound with the help of Durant. That KD, he's a man of many talents.

The pattern is Vogue 8665, severely de-flared.. believe it or not.

I hope this overview was helpful for anyone considering taking the plunge into coverstitch territory. Full disclosure: I paid over US$600 for the machine (barely used, and with all the accessories), so it's not a purchase to take lightly. But when it's your hobby and passion, yada ya...

So who's thinkin' about it? Does anyone else own this same machine? A different brand? What's your opinion? Am I crazy to spend that kind of money on something non-essential? Am I crazy to name my machines after pro athletes? Don't answer that.

wrapped up in dotz

The days get warmer and my hems get longer. Bye tights, bye thighs. Hello, inner schoolmarm. It's for the best, really. And we all know how brutal the office A/C can be. What's the deal with that, man.

I decided I needed some more office-appropriate garments to incorporate into my springy wardrobe. I have exhausted my two Beignet skirts and other winter-weights, so I'm starting to feel that "what-the-haaiiiil-do-I-wear" anxiety every morning now. Jersey wrap dress time was nigh. I sit on my bum at a computer all day (doing valiant non-profit work and saving lives, of course), so I welcome the opportunity to look "professional"-ish while feeling like I'm in a fancy bathrobe.

The pattern is probably the second pattern I purchased after deciding to start sewing again in 2011. It's Butterick 5546, one of those easy "See & Sew" patterns that sits on display on the back wall of JoAnn's -- I guess to try to lure in the nonchalant passersby. I did make this pattern when I first bought it, also in a jersey, pre-blog, pre-serger, pre-knowledge of ANYTHING, and I accidentally reversed the direction of the wrap and have snapped a bunch of the stitches because my zig zag tension was way too tight. Anyway, here's Round Deux. All I did this time was lengthen it three inches. Gee, I realize I haven't made a new pattern in awhile -- I'm on total repeat mode these days. 

My hair is covering the detail at the shoulders, so here's a shot of my mannequin's cleavage -- I mean, the dress' pleats:

One of the ties slips through the dress side seam from the inside to be wrapped around the waist:

The jersey fabric is perfect in every way: richly-hued (more maroon than the orangey-ness in the detail shots), whimsical, springy and drapey. It was sent to me as a thank you from Amy Alan for reviewing her Craftsy class (oh, did you forget? You can STILL get 50% off her Beginner Serging class through this link here). It's like she knew that maroon was one of the three serger thread colors I already owned. Brilliant much? And because of her class, I knew how to overlock this fabric perfectly. Well, uh, as perfect as I am patient.

On the selvedge of the fabric it says "Matchmaster Prints by Antex of California Pattern." I googled Antex of California and it seems like it's a knitting mill that's actually in California. I just hope upon hope that that means this fabric was actually milled in the USA, though I guess it's possible it was just printed here? Amy said she bought the fabric at Mill End in Portland, which used to be a fabric mill in the early 20th century. If my assumptions about this fabric are correct, it would mean that my dress was resourced and made (almost) ENTIRELY in the United States, which would make me unbelievably chuffed... and mean I was one step closer to completing one of my sewing goals for 2013. Talk about cheap labor, though. No one paid me squat.

I had planned to talk more about my coverstitch machine in this post since I used it to hem all angles of this entire dress, but I still feel like I need to be more prepared to give a proper overview of the machine's functionality. To the one person who cares (Lisa G), I swear I'm working on it!

Speaking of goals for 2013, I had also hoped to participate in Me-Made-May for the first time. And sure enough, I'm feeling ready! So I officially pledge...

I, Andrea of foursquarewalls, sign up as a participant of Me-Made-May '13. I endeavor to wear at least one handmade garment each day for the duration of May 2013.

Who's with me?! OK, better get sewing.